Parallel compression, also known as New York compression, is a great way to make your drum hits sound more impacting and cut through the mix. You can always unsubscribe (so you won't receive any more e-mails) by clicking on the unsubscribe link at the bottom of each e-mail. Parallel compression is a type of compression where by we place compression on an external send track, allowing the user to create a mixture of the dry signal (the audio signal without any dynamic changes made to it), and the compressed signal (coming from the send track). (And no, I’m not talking about turning up the gain…). Wonder when to use compression in your mix? Get 65% Off Mix Essentials. By checking the boxes you agree to receive the following from us via e-mail. Set the attack as fast as possible. Compression on its own can be a bit complex for those who are just getting the swing of things. There was an error submitting your subscription. Fortunately, this is easily applied in Logic Pro X . Parallel compression complicates this by coupling all the versatility of regular compression with treating a signal in extremes. Pick a set of drum samples – kick drum, snare, closed hi-hat and open hi-hat – and drop them to the step sequencer sampler channels and assign each drum sample to an empty mixer track. Even lighter ratios will still be dramatically effective. To get a very “forward” sounding compression. As well as being a professor in Guildhall’s Electronic Music Department, he’s also a producer and media composer, and a trusted writer for MusicTech magazine. Does Waves’ newest multi-layered modulation plug-in offer us maximum sonic colour? In my book, there are two reasons to use parallel compression: One way to set up an effective parallel compression chain is to use very heavy settings. Parallel Processing, specifically, Parallel Compression. A 2:1 setting will be a bit more “natural” but still extreme at such a low threshold. Parallel compression refers to the technique of duplicating a signal, compressing the copied signal, and then blending it back in with the uncompressed signal. We take a look inside the Spanish techno artists humble abode. If you use a compressor with an external sidechain, or adjustable sidechain, you can feed the sidechain with an EQ’d version of the source sound. These new cans, courtesy of German manufacturer HEDD, might just represent a more forensic way to monitor our mixes. All the features of the Moog Concertmate MG-1 wrapped up in an attractive interface. One way to set up an effective parallel compression chain is to use very heavy settings. We put together the ULTIMATE compression tutorial for you here. You can use parallel compression like a phase-free EQ! For the in-your-face clean sound, 2:1 is a good place to start. When you blend the compressed signal back in, you’ll get a natural sounding compression curve that seems to beef the sustain of the signal a little better than regular compression, resulting in a more “forward” sound. In the run-up to the Swedish producer’s next album, Diving For Lost Treasure, he walks us through the emotive and upbeat single. Wish you could find new, creative ways to use compression with more confidence. Our exploration of LiquidSonics’ oeuvre reaches its celestial summit, as we ascend to seventh heaven. Music theory isn’t the be-all and end-all of becoming a great producer, but a little knowledge can help. The benefits of parallel compression are manyfold, though there are a few pitfalls. The compressor will dodge the low end of the signal. © 2020 MusicTech is a member of the media division of BandLab Technologies. Parallel compression, also known as New York compression, is a great way to make your drum hits sound more impacting and cut through the mix. Please try again. Think of the ratio as texture control, with higher ratios creating more of a crunchy/distorted sound. Here are some fundamentals. Slate Digital's new exciter based on the Dolby-A trick is a quick way to add excitement to tracks and mixes.

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