If you are going to be exposed to something louder then 85dB or higher, you should use ear protection, or you risk permanent hearing loss. how many db's should a track be? I usually EQ a nice little hole for the vocals to sit. This generally should be no more than 2 dB or so, but you can override this by telling it to do more limiting in an adjacent band – for example, you can limit the low end more in order to preserve more of the dynamics in the low-mid band, where the bass and some of the guitars are. luthatron, Feb 24, … A Scottish Pipe Band snare drum would be completely inappropriate to use at a Jazz gig. In most cases you might be starting with the kick or snare, but whatever you start with set to zero, and then start bringing things in around it. 5. For example, 8 hours at 85 dB causes as much damage as 4 hours at 88 dB, 2 hours at 91 dB, or just 15 minutes at 100 dB. AudioMonk, Feb 24, 2017 #1. Therefore the question should be what type of snare … I…also have a drum rack loaded up with samples from an 808 drum machine. Note this is not 0 dB on the scale, but the difference between two dB levels. I have…a kick, snare, clap, closed hat, open hat and a crash cymbal. You may have to register before you can post: click the register link above to proceed. No more that 3 dB should be sufficient. Adding a compressor to snare can be such a rewarding experience, as you get to really tighten or thicken a snare sound for your mix here. Unmuffled ambassador on a bell brass snare, hit with off center rim shot. The lead vocal is the most important thing. 0 dB - No change. I have searched and searched for a semi-clear answer (as there are no rules in music), watching tons of interviews and "In The Studio's" hoping that someone would say, "A kick drum should hit at this -dB before your mixing process, or before it is sent off to be mastered." Which snare should I select? - 6 dB = 50% volume decrease (half the original level). This is an instrument you can have fun with when it comes to compression. How many Db's above my kick, should my snare hit? Let's create an empty…MIDI clip and make it a two bar long by hitting Duplicate Loop. So far I have learned it should hit around -6 dB. The lower the frequency, the more energy it requires, and that's why it's always the drums lowest note/highest energy peak that determines the dB-level (unless the meter is calibrated to a specific pitch) And it doesn't matter at all how wild or mild it's upper harmonics are. If this is your first visit, be sure to check out the FAQ by clicking the link above. I also tend to cut abit of 250 out of the vocal mic so the snare has room. Feb 24, 2017. luthatron \o/ snake communist dictator \o/ luthatron \o/ snake communist dictator \o/ 71,771 posts Since Feb 3, 2004. kick should be loudest. I track alot of live hip hop for TV using a SM58 in general I take about -2 or -3 DB of 500hz out of the track and add that to the mic. It can make things sound a little harsh if you overdo it. This is very close to the JND (Just Noticeable Difference), that is the smallest decrease in volume you can notice. To start viewing messages, select the forum that you want to visit from the selection below. So, I think with this kind of music after lead vocal maybe the next important thing is the kick, and then I’m going to start bringing in the guitars. I also compress the hell out of the vocal using Rchannel on Protools. But I want to know if this is legit and an industry standard. Male 1: For trap beat, I'm going to set my global BPM to 135. - 1 dB = ~10% volume decrease. In principle, there aren’t “wrong” snare drums, only wrong snare drums for the style of music being played. Snare Compression.
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